Why music matters so much in ballet
Ballet and music are inseparable. The music gives the dance its tempo, its energy and its mood. It tells the story, while the body makes it visible. Anyone who has ever seen a performance of Swan Lake knows: without the music the movements would be beautiful – but with it they become unforgettable.
In class, the choice of music is anything but random. The right music motivates, sets the right rhythm and helps dancers feel their way into the movements. Sometimes a single bar is enough to bring the body into the right position – almost by itself.
Tchaikovsky – the king of ballet music
When you talk about ballet music, there is no getting around Pyotr Ilyich Tchaikovsky. His three great ballets are still regarded as masterpieces in the history of music – and as cornerstones of the classical ballet repertoire.
Swan Lake (1876) is probably the most famous ballet in the world. The story of Princess Odette, who is turned into a swan, has moved generations of audiences. Tchaikovsky's music glides seamlessly between tender lyricism and dramatic tension – an emotional ocean written in notes.
The Nutcracker (1892) is everywhere, especially at Christmas time. Its colourful journey through the Land of Sweets holds something magical, above all for children. The music is playful, festive and full of surprising twists – perfect for our children's classes.
The Sleeping Beauty (1890) is the most opulent of the three works: fairy-tale-like, celebratory and of an almost regal elegance. It was the ballet Tchaikovsky loved most himself – and one that many connoisseurs consider his mature masterpiece.
More classical masterpieces
Besides Tchaikovsky, there are a number of other composers whose works belong to the enduring heritage of classical ballet:
- Giselle – Adolphe Adam (1841): Romantic, poetic and marked by a deep melancholy. Giselle is considered one of the most emotional ballet scores of all. The second act – with its ghostly Wilis – is among the most moving moments in the entire ballet repertoire.
- Coppélia – Léo Delibes (1870): Lively, witty and full of charm. Coppélia tells the story of a doll brought to life – ideal for younger students. Delibes's music is rhythmically clear and simply puts you in a good mood.
- La Bayadère – Ludwig Minkus (1877): With an oriental touch, majestic and of an exotic beauty. La Bayadère is set in India and offers a fascinating mix of drama and pure dance technique. The famous "Kingdom of the Shades" scene is a highlight of classical ballet.
- Don Quixote – Ludwig Minkus (1869): Fiery, Spanish in flavour and technically very demanding. Don Quixote is a celebration of virtuosity – full of jumps, turns and spirited energy. The music practically drives the dancers on.
Which music we use at Düsseldorf Ballett
In children's ballet we choose music that is joyful and easy to relate to. Excerpts from The Nutcracker, Coppélia or simple piano pieces that help children feel the rhythm without becoming overwhelmed. Playful music creates playful dancing – and at this age that is what matters most.
In the adult classes we rely more on the great classical works. Tchaikovsky, Delibes, Adam – music with depth that you come to appreciate more and more over time. Again and again we see how a particular melody instantly changes the energy in the room. The right waltz at the right moment can carry an entire class.
For us, music is not background noise – it is a genuine teaching tool. Anyone who dances ballet also learns to hear music. Really hear it. And that is a skill that reaches far beyond the ballet studio.
Experience classical ballet music live in class
Come to a trial class and experience how music and movement work together.
